death of a salesman arthru miller script

Making best use of their narrow theatre space, Redtwist’s production elects for a minimal set design, with only a table and chairs, a desk, and a bed. Linda (Jan Ellen Graves), his wife, tries desperately to keep his hope alive, but the haunting regrets of Willy’s past, the failures of his present, and the shattering of his future-brought near by the arrival of his cherished son Biff (Matt Edmonds), his disillusioned heir-are truths too pointed and relentless to keep from exploding his insulating charade of illusion.

Willy Loman (Brian Parry) is a husk of a man who has staked his life of 30-plus years of traveling salesmanship in the fruitless soil of unrealistic hopes and impractical principles-the pedestrian virtues of being well-liked and wearing a charming smile-to which the world has responded with brutal indifference, literally bricking-out the sun from alighting on his small, urban domain. Redtwist Theatre’s current production of this American classic, directed by Steve Scott, is a modestly staged and decently acted rendition though the production sustains more energy and enthusiasm than grounded passion, Miller’s superb script largely redeems its shortcomings.ĭeath of a Salesman so permeates our American subconscious, it hardly needs any introduction. The confrontation between illusion and reality is a noticeable theme in 20 th century American drama ( The Iceman Cometh, The Glass Menagerie), and among its best examples is Arthur Miller’s 1949 Pulitzer and Tony Award-winning tragedy Death of a Salesman.

Death of a salesman arthru miller script